Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.  Related Paintings of Peter Paul Rubens :. | Music Making Angels | The Peace of Angers (mk05) | Esther before Abasuerus (mk01) | Samson and Delilah | Landscape with a Watering Place |
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DOBSON, William
English Baroque Era Painter, ca.1611-1646 English painter. His father, William Dobson, was a gentleman of St Albans employed by Francis Bacon, Viscount Verulam, on the building and decoration at Verulam House and Gorhambury; he was also probably Master of the Alienation Office and a member of the Painter-Stainers' Company, but according to John Aubrey, 'he spending his estate luxuriously upon women, necessity forced his son William Dobson to be the most excellent painter
theodor alt
(Januar 1846 in Döhlau bei Hof (Oberfranken); 8. Oktober 1937 in Ansbach) war ein deutscher Maler. Alt war der Sohn des Döhlauer Pastors Heinrich Alt und dessen Ehefrau Justina Ziegler. Nach erstem Unterricht durch seinen Vater besuchte Alt die Lateinschule in Regensburg, wo sein Vater von 1856 bis 1870 der evangelischen Gemeinde vorstand. 1861 wechselte er an die Kunstgewerbeschule N??rnberg, wo er als Schuler von Hans Ringlein bis 1863 blieb. Im Spatsommer desselben Jahres wechselte Alt mit Empfehlung seiner Lehrer an die Kunstakademie in M??nchen. Dort wurde er zuerst Sch??ler von Hermann Ansch??tz und in den Jahren 1866 bis 1873 bei Arthur von Ramberg.
Fetti,Domenico
Italian painter , 1589-1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s-C30s, three "foreigners" Fetti and his younger contemporaries Bernardo Strozzi and Jan Lysebreathed the first influences of Roman Baroque style.